These geometric forms rise from the ground like fragments of a reality that unfolds and reconfigures itself before the viewer. In its multifaceted structure , the stainless steel reflects and distorts the surroundings, generating a dialogue between the constructed and the ephemeral, between the solid and the intangible.

The artwork is conceived as an intervention in the urban landscape, where geometry ceases to be a static form and becomes an element that transforms the perception of space . By interacting with light and the movement of those around them, these mirrored structures reflect the architecture and the sky, inviting an immersive experience in which objective and subjective reality converge at a single point .

These pieces act as ruptures in the floor , as if they were vestiges of a hidden structure emerging to reveal a new dimension of the everyday. Their arrangement generates a tension between order and chaos , between the materiality of the objects and their reflection , questioning our way of inhabiting space and interpreting reality.

“Reality” is, in essence, a game of perceptions, a stage where the viewer sees themselves reflected and, at the same time, blurred within the artwork. It is an invitation to look beyond the immediate, to discover the multiple layers that make up our relationship with the environment.